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British music is one (but then again we're talking a tiny percentage of gross national product here recent episodes of Top of the Pops made me hang my head in shame), and British comedy is another. I never felt the least bit patriotic until I moved to America, and even now there's only a small number of things that bring out the Union Jack waver in me. I find it actually almost as harrowing to watch as hilarious like a really great novel, it's hard to shake the idea that these are real people with real lives they're wasting, and as with novels that have unhappy endings, certain plotlines (Tim & Dawn actors of the millenium as far as I'm concerned) feel almost like a personal injury. But for anyone on this side of the Atlantic, this is compulsory viewing, reason enough to get BBC America if you don't have it (and why would you).
#Wagon christ musipal rar software
Old news for anyone reading in the UK, where the pseudo-documentary is in its third series already and the DVD was the fastest selling item of that particular form of leisure software or something.
#Wagon christ musipal rar tv
Second instalment in the missus's TV column, a piece on The Office. But I like to think of it having some distant echo (that Viking race-memory thing) of Valhalla, the cosmic bierkeller where the dead warriors carouse on Thor’s own mead.įinally, in Morvern Callar, is that a Mover track pounding away in the rave scene (cinema’s most intense recreation yet of what’s it’s feels like to be inside the vibe: phew, I was rushing) or what? Answers please. The title’ “Hall” is probably hymning the kind of venue it was aimed at, bleak industrial hangars on the outskirts of R-dam or Antwerp. Headphones, or your hi-fi at one notch below top volume with all the lights turned off will have to do for now, I guess. The kind of record that should really only ever be played and heard in an abandoned GDR electrical plant’s turbine room to a crowd of 12 thousand E'd up Germans in gas-masks and camo gear. The “Maximum Mix” especially sounds huuuuuuuuuuge. Created by Acardipane’s right-hand man Miro, this might just be the genre’s aesthetic pinnacle, taking that cavernous reverberant Gothick-gabber sound to Chain Reaction levels of abstraction, minimal-maximal monotony, and glacial immensity. While we’re on the doomcore tip, a few words on a twilight classic from the PCP stable: Reign’s “Hall” (Powerplant, 98?). Pretty much anything with the word “Energy” in the title stands a good chance of being awesome, viz. (It’s odd how the Detroit-epigones completely erase the dark side of Detroit techno, it never figures in their recorded genuflections). You can hear the influence of “Stalking” all over early Mover tunes like “Nightflite (Into Kaos)”. (And one of the others was darkrave classic “Sonic Destroyer” by X-101, an alter-ego of Underground Resistance’s). And it’s a good point, especially given that Suburban Knight’s “The Art of Stalking” is one of The Mover’s all-time top three techno tracks.
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Eli Bingham observes that I plain forgot about the Suburban Knight/Mad Mike EP Dark Energy (UR 029).